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> Fiction Books > Science Fiction / Fantasy Books
Glass turns to flesh as DarkGlass Mountain rouses from its restless sleep to walk the land and plot the downfall of the Lord of Elcho Falling. Ishbel and Maximilian now utterly estranged ride for Serpent's Nest not realising that at their backs a cadre of traitors plot their death.
Axis once more takes command of the Strike Force but it is not enough to save him from the gallows of Isaiah's generals nor from the lover who betrays him.
In Isembaard the Skraelings run amok but they will not touch the sole survivor from the slaughter of Aqhat who walks north with a mysterious relic of Ashdod's past.
Over all hover the Lealfast ancient creatures who hide many secrets and possess a sorcery so ancient and malignant that it threatens to curse Elcho Falling as soon as the twisted citadel rises.
RRP: $21.99
| ISBN 13: | 9780732282912 |
| ISBN 10: | 0732282918 |
| Binding: | Paperback |
| Pages: | 736 |
| Dimensions: | 178 x 111mm |
| Released: | 01/05/2009 |
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Sara Douglass was born on a small farm some twenty-five miles out of Penola in South Australia. It was called Gundealga, 'peaceful watering hole', and its names, and its woods and deer, are remembered in The Axis Trilogy. When she was about seven her family moved to Adelaide. An avid reader from an early age, Sara started writing as soon as she felt competent, about nine or ten, and produced a small novelette about the discovery of the eighth sea of the world which her teachers and parents regarded indulgently, looking over her head and nodding as if to say, "She'll grow out of it".
After completing a Bachelor of Arts at Adelaide University she wrote her first novel, The Judgement of Jerusalem for which she received polite rejection letters: "We wish you all the best in your future endeavours." and resolved never to write again. And for another six or seven years she immersed herself in a new career as an academic, teaching medieval history at La Trobe University, Bendigo. To relieve stress of the job Sara took up writing again, and tried to send several to Mills and Boon, but their initial rejection letters finally became stern letters imploring her to never contact them again as her writing was so 'dark'. Then with the help of the Melbourne Yellow pages she found a publisher for a manuscript, and the rest is history.
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