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    American Blood: The Ends of the Family in American Literature, 1850-1900

    By: Holly Jackson

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    Conventional understandings of the family in nineteenth-century literary studies depict a venerated institution rooted in sentiment, sympathy, and intimacy. American Blood upends this notion, showing how novels of the period frequently emphasize the darker sides of the vaunted domestic unit. Rather than a source of security and warmth, the family emerges as exclusionary, deleterious to civic life, and antagonistic to the political enterprise of the United States. Through inventive readings supported by cultural-historical research, Holly Jackson explores critical depictions of the family in a range of both canonical and forgotten novels. Republican opposition to the generational transmission of property in early America emerges in Nathaniel Hawthornes The House of the Seven Gables (1851). The tragic mulatta trope in William Wells Browns Clotel (1853) is revealed as a metaphor for sterility and national death, linking mid-century theories of hybrid infertility to anxieties concerning the nations crisis of political continuity. A striking interpretation of Harriet Beecher Stowes Dred (1856) occupies a subsequent chapter, as Jackson uncovers how the author most associated with the enshrinement of domestic kinship deconstructs both scientific and sentimental conceptions of the family. A focus on feminist views of maternity and the family anchor readings of Anna E. Dickinsons What Answer? (1868) and Sarah Orne Jewetts The Country of the Pointed Firs (1896), while a chapter on Pauline Hopkinss Hagars Daughter (1901) examines how it engages with socio-scientific discourses of black atavism to expose the familys role not simply as a metaphor for the nation but also as the mechanism for the reproduction of its unequal social relations. Cogently argued, clearly written, and anchored in unconventional readings, American Blood presents a series of lively arguments that will interest literary scholars and historians of the family, as it reveals how nineteenth-century novels imagine-even welcome-the decline of the family and the social order that it supports.

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