The Romantic pianist - the solo pianist who plays nineteenth-century piano music - has become an attractive figure in the popular imagination, considering the innumerable artworks, literary works, and films representing this performers seductive allure. Dreams of Love pursues a wide-ranging interdisciplinary approach to understanding the romantic pianist as a cultural icon, focusing on the role of technology in producing and perpetuating this mythology over the past two centuries. Sound recording and cinema have shaped the pianists music and image since the early twentieth century, but these contemporary media technologies build upon practices established during the early nineteenth century: the influence of the piano keyboard on early telegraphs and typewriters, the invention of the solo recital alongside developments in photography, and the ways that piano design and the placement of the instrument on stage structure our viewing-listening perspectives. The concept of technology can be broadened to include the performance of gender and sexuality as further ways of making the pianist into an attractive cultural figure. The books three sections deal with the touch, sights, and sounds of the Romantic pianists playing as mediated through various forms of technology. Analyzing these persistent Liebestraume and exploring how they function can reveal their meaning for performers, audiences, and music lovers of the past and present too.