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    Imagining the Edgy City: Writing, Performing, and Building Johannesburg

    By: Loren Kruger

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    -+
    $79.99
     
     
    ISBN
    9780199321919
    Date Released
    Binding
    eBook
     
     

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    Description
    All roads lead to Johannesburg, remarks the narrator of Alan Patons novel Cry, The Beloved Country. Taking this quote as her impetus, Loren Kruger guides readers into the heart of South Africas largest city. Exploring a wide range of fiction, film, architecture, performance, and urban practices from trading to parades, Imagining the Edgy City traverses Johannesburgs rich cultural terrain over the last century. The edgy city in Krugers exploration refers not only to persistent boundaries between the haves and have-nots but also to the cosmopolitan diversity and innovation that has emerged from Johannesburg. The book begins with the building boom, performances and uneven but noteworthy inter-racial exchange that marked the citys fiftieth-anniversary celebration at the Empire Exhibition in 1936. This celebration rapidly gave way to the political repression and civil unrest that characterized South Africa from 1950 to 1990. Yet poetry, drama, fiction, and photography continued to thrive, bearing witness not only against apartheid but to alternatives beyond it. In the late twentieth century, the not quite post-apartheid condition fired the artistic imaginations of film makers as well as novelists. Urban neglect, rising crime, and the influx of migrants inspired noir cinema-like Michael Hammons Wheels and Deals-and fiction about migration from Achmat Dangor to Phaswane Mpe, and in the twenty-first, urban renewal has produced public art that incorporates the desire lines of newcomers as well as natives. Alongside well-known artists such as Nadine Gordimer, William Kentridge, and David Goldblatt, the book introduces many artists, architects, writers, and other chroniclers who have hitherto received little attention abroad. Ultimately, Johannesburg emerges as a city whose negotiation of the tensions between incivility and innovation invites comparisons with modern conurbations across the world, not only African cities such as Dakar, or other cities of the south such as Bogota, but also with major metropolises in North America and Europe from Chicago to Paris. A multi-faceted work that speaks to scholars in urban studies, literature, and history, Imagining the Edgy City is a rich example of interdisciplinary scholarship at its best.

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