Since its beginnings, opera has depended on recognition as a central aspect of both plot and theme. Though a standard feature of opera, recognition--a moment of new awareness that brings about a crucial reversal in the action--has been largely neglected in opera studies. In Recognition in Mozarts Operas, musicologist Jessica Waldoff draws on a broad base of critical thought on recognition from Aristotle to Terence Cave to explore the essential role it plays in Mozarts operas. The result is a fresh approach to the familiar question of opera as drama and a persuasive new reading of Mozarts operas.
- Publication Date:
- 20 / 03 / 2006