Composer, pianist, and critic Claude Debussys musical aesthetic represents the single most powerful influence on international musical developments during the long fin de siecle period. The development of Debussys musical language and style was affected by the international political pressures of his time, beginning with the Franco-Prussian War of 1871 and the rise of the new Republic in France, and was also related to the contemporary philosophical conceptualization of what constituted art. The Debussy idiom exemplifies the ways in which various disciplines - musical, literary, artistic, philosophical, and psychological - can be incorporated into a single, highly-integrated artistic conception. Rethinking Debussy draws together separate areas of Debussy research into a lucid perspective that reveals the full significance of the composers music and thought in relation to the broader cultural, intellectual, and artistic issues of the twentieth century. Ranging from new biographical information to detailed interpretations of Debussys music, the volume offers significant multidisciplinary insight into Debussys music and musical life, as well as the composers influence on the artistic developments that followed. Chapters include: Russian Imprints in Debussys Piano Music; Music as Encoder of the Unconscious in Pelleas et Melisande; An Artist High and Low, or Debussy and Money; Debussys Ideal Pelleas and the Limits of Authorial Intent; Debussy in Daleville: Toward Early Modernist Hearing in the United States; and more. Rethinking Debussy will appeal to students and scholars of French music, opera, and modernism, and literary and French studies scholars, particularly concerned with Symbolism and theatre. General readers will be drawn to the book as well, particularly to chapters focusing on Debussys finances, dramatic works, and reception.