The third book in the acclaimed series of critical studies of Bob Dylan by Paul Williams once against turns the microscope on the continuing evolution of rock's master singer and songwriter.
After focusing on the start and roots of the Never Ending Tour, Williams surveys Dylan's work in 1990 and the 1997 Time Out Of Mind, and 2001 Love & Theft albums.
There's also an essay on a fine example of a Never Ending show from 1988.
