The horse has a strong presence in archaeology. Its relationship with past human beings has great diversity, which can be analysed through economic, social, artistic and mythological aspects. This book, the outcome of a session at the European Association of Archaeologists' Annual Meeting in Rome in 2024, focuses on a variety of different aspects about the archaeology of the horse, such as its presence in prehistoric rock art and sculpture, antiquity and medieval art, the domestication process, the use of the horse for riding and traction, its use in funerary rituals, symbolism and presence in myths in diverse societies, among other themes. In the Palaeolithic, this animal was not only a source of meat for nourishment, but it appears in the origins of artistic representations through paintings and carvings on cave walls and on open air outcrops. The domestication process included the use of mare's milk, which is rich in proteins and carbohydrates, being low in fat, and having a high content in vitamin C, making it better than cow's milk. When horses started to be ridden people could travel faster, developing trade and communication, disclosing cultural issues. With the emergence of complex societies, the horse was used in hunting, as a 'war machine' and as a symbol of social status. Iconography available in a variety of archaeologically visible media such as rock art, sculptures, numismatics, mosaics, and frescoes, among other artistic manifestations, enables us to understand better the importance of the horse in the development of civilisation. The book seeks to go beyond previous publications about the horse, which usually do not encompass prehistoric cultures, are often geographically limited, or focus on physical characteristics of the horse in battle or on descriptions of horse equipment with a lack of scientific archaeological context. The chapters presented here engage with the human-horse relationship on a variety of levels and at different time periods, with an emphasis on the social and cultural significance of the horse, zooarchaeological evidence, the role of horses in combat and ritual contexts and the relationship between horse and rider in iconography, art and burial rites. AUTHORS: Fernando Coimbra holds a PhD from the University of Salamanca and Post-doctoral research in rock art in the Geosciences Centre (University of Coimbra). His studies of rock art inspired a further interest in horses and their role in society, especially in protohistory. In 2013 he coordinated an international congress about the horse and the bull in prehistory and in history. He is a visiting professor at the Polytechnic Institute of Tomar, in Portugal. Dragos Gheorghiu is an historical anthropologist and archaeologist whose studies focus on the process of cognition and imagination, material culture, ancient technologies and iconography. Much of his research focuses on Chalcolithic societies in south-eastern Europe, from the spatial organisation of settlements to the material culture of everyday life. He addressed the domestication of the horse in the technological context of the period. Zuzana Golec Mírová is an archaeologist, currently working at the Institute of Archaeology of the Czech Academy of Sciences and the Institute of Archaeology, Faculty of Arts, Charles University in Prague. She has been dealing with the issue of horses in prehistory since her bachelor studies. In 2019, she published a monograph about horses in the Bronze and Iron Ages in Moravia (Czech Republic). 100 b/w illustrations
