Before Twilight and True Blood, even before Buffy and Anne Rice and Bela Lugosi, vampires haunted the nineteenth century, when brilliant writers everywhere indulged their blood thirsty imaginations, culminating in Bram Stoker's legendary 1897 novel, Dracula.
Michael Sims brings together the very best vampire stories of the Victorian era-from England, America, France, Germany, Transylvania, and even Japan - into a unique collection that highlights their cultural variety. Beginning with the supposedly true accounts that captivated Byron and Shelley, the stories range from Edgar Allan Poe's The Oval Portrait and Sheridan Le Fanu's Camilla to Guy de Maupassant's The Horla and Mary Elizabeth Braddon's Good Lady Ducayne. Sims also includes a nineteenth century tour of Translayvanian superstitions, and rounds out the collection with Stoker's own Dracula's Guest - a chapter ommitted from his landmark novel.
Vampires captivated the Victorians, as Sims reveals in his insightful introduction: In 1867, Karl Marx described capitalism as 'dead labour, which, vampire-like, lives only by sucking living labour', while in 1888 a London newspaper invoked vampires in trying to explain Jack the Ripper's predations. At a time when vampires have been re-created in a modern context, Dracula's Guest will remind readers, young, old and inbetween of why the undead won't let go of our imagination.
