Since the publication of the acclaimed My Brilliant Friend and The Story of A New Name, Elena Ferrante's reputation has grown enormously. Her novels about the friendship between Lila and Elena, about the mysteries of human relationships, are utterly compelling.
In Those Who Leave and Those Who Stay, the two protagonists are now in their thirties. Lila, married at sixteen, has left her husband and the comforts of her marriage, and has now joined the workforce. Elena has left the neighbourhood in Naples, been to university, and published a successful novel, all of which has brought her into a wealthier, more cultured world. Both women are seizing opportunities to flee a life of poverty, ignorance and submission. Yet they are still very much bound to each other by an unbreakable bond.
A compelling read
Those Who Leave and Those Who Stay is the third book in the Neapolitan Novels series by Italian author, Elena Ferrante. This installment takes up the story of Lila Cerullo and Elena Greco when they are in their mid-twenties (1969) and relates the events of their lives until they are in their early thirties (1976). Lila is living in San Giovanni a Teduccio with her young son, Gennaro, under the care of Enzo Scanno, and working at the sausage factory of Bruno Soccavo. Elena has just published her first novel, is about to marry Pietro Airota and move to Florence. Against the background of the political upheaval and violence in Italy during the seventies, Elena details significant incidents in her own life: the mixed reception to her novel, her marriage, children, her further attempts at writing, her encounters with her dear friend, Lila and with the man she has always loved, Nino Sarratore. Elena begins her narration by stating when she last saw Lila (2005) and that the purpose of her narration is to draw Lila (who has been missing since 2010) out to correct her story. The reason for this eventually becomes apparent. Elena relates what she knows of Lila’s life from what she has been told by Lila herself, and what she has heard from others. Ferrante skilfully evokes the feel of Italy and the “neighbourhood†in Naples at this turbulent time, and it is a story with virtually no joy, but plenty of honesty and grit. It is, at times, confronting and never pleasant. Ferrante’s characters are complex and well-formed and, while the reader may be able to identify with some, they are, without exception, unappealing. Elena’s final actions, uncharacteristic as they are, make for a cliff-hanger ending. The first-person narration by Elena gives this series a decidedly autobiographic feel, which is echoed in the subject of her narrator’s own novel. Not only readers new to this series will appreciate the seven-page Index of Characters and Notes on the Events of Earlier Volumes (even if only to distinguish Dino from Gino, Rino, and Nino). Readers will find themselves constantly flicking back to these seven pages to establish the relationships, political affiliations and loyalties of the many characters. This powerful novel is flawlessly translated by Ann Goldstein. Readers who enjoyed the first two books of the series will not be disappointed, and will look forward to the final book of the series. A compelling read.
Marianne, 13/10/2014
